

His fondness for a baron’s daughter sees him fleeing westwards in a hay-cart, only to get stuck in the Valley of Krasna until a local bridge leading north is repaired. You take control of one William Roehm, a smooth-talking, scoundrel who fancies himself a ladies man. Despite some modern assists – hotspots, combat difficulty settings, an in-game manual, and a hint system – Quest for Infamy is a game that reminds me of both the best and worst of that era. That authenticity, however, is a double-edged sword.

#KEYSER WOOD QUEST FOR INFAMY PROFESSIONAL#
In addition to John’s professional work, he writes an astronomy blog on Tumblr () and maintains an active presence on Twitter.Quest for Infamy – developed by Infamous Quests and published by Ratalaika Games – is an unabashedly-authentic throwback to Sierra On-Line’s classic point-and-click adventures, specifically 1989’s Quest for Glory. In 2006, he wrote a press release for an archaeoastronomy poster presented at a meeting of the AAS that went viral and resulted in worldwide media coverage as the “Barentine petroglyph”. This work brings him into frequent contact with journalists and includes writing press releases. Now, he is the Program Manager for the International Dark-Sky Association. For that work, John was honored in 2007 by the International Astronomical Union, which named the asteroid (14505) Barentine his honor. Previously, he was at Apache Point Observatory in New Mexico, where he was a staff scientist working on the Astrophysical Research Consortium 3.5-meter telescope and as an Observer for the Sloan Digital Sky Survey.

#KEYSER WOOD QUEST FOR INFAMY SERIES#
Most of his doctoral research was published in the Astrophysical Journal, and in previously published articles in other academic outlets such as the Astronomical Journal and Astronomical Society of the Pacific Conference Series volumes. His dissertation work followed the path of atomic and molecular gas from star formation through the evolution of galaxies. in astronomy from the University of Texas at Austin in 2013. He holds undergraduate and master’s degrees in physics and astronomy, and received his Ph.D. John Barentine is a lifelong amateur astronomer, with formal education and experience in academic astronomy. These lost constellations are described in great detail using historical references, enabling observers to rediscover them on their own surveys of the sky. Treatment of the obsolete constellations as extant features of the night sky adds a new dimension to stargazing that merges history with the accessibility and immediacy of the night sky. Barentine addresses why some figures were tried and discarded, and also directs observers to how those figures can still be picked out on a clear night if one knows where to look. The history of how the modern set of 88 constellations was defined by the professional astronomy community is recounted, explaining how the constellations described in the book became permanently “extinct.” Dr. Casual stargazers are familiar with many classical figures and asterisms composed of bright stars (e.g., Orion and the Plough), but this book reveals not just the constellations of today but those of yesteryear. The history of the human identification of constellations among the stars is explored through the stories of some influential celestial cartographers whose works determined whether new inventions survived.
